Wednesday, June 8, 2011

Soaring and art - more inspiration

9 June 2011

An article in the Sydney Morning Herald today, with Australian artist John Olsen inspired by the view of Australia from the air.

This is how Olsen sees the Australian landscape. When he flew across Lake Eyre in May, the lake was filling with water from recent floods. With two young artists, Guy Maestri and Luke Sciberras, he sang bushmen's songs and looked for shapes and stories in the landscape below. A squid made of vegetation, a fish of salt, a shadow shaped like a woman's leg. Says Olsen "Unless you fly over it, you just don't get it,'' he says. ''That's the thing I've found about Australia - it's best viewed from the air. That gives the proper scale to it.''
I think this encapsulates nicely my thoughts about gliding and art - that the unique viewpoint and intimacy of gliding can provide a special artistic inspiration.

Southern Cross Gliding Club "Recruitment" Video

A few months ago I was out at the club when the Club President was doing some filming with one of the club's scholarship students (the club provides reduced membership and free air time to eligible students). Pretty neat to see the cameraman fitting HD cameras to one of our ASK-21s.

This is the result, and I am the fat bastard waving off and running the wing at the start of the video.

(For some reason the Blogger embedder can't find the Youtube video, so here's a link instead.)

Southern Cross Gliding Video

Electronic pilot's log

8 June 2011

I spent some time last night entering all my flights into an Excel-based electronic glider pilots log that I sourced from Roger's Soaring Blog (thanks for making it Roger!). It's a pretty good free resource and helped me find I'd made a counting error in my printed logbooks (NZ and Australian) and confirm that I'm rubbish at adding up time!

Accordingly, I find I have more hours and six more flights than I thought I had (I had strangely duplicated some flight numbers, so my numbers in my printed logbook went 55, 50, 51 etc). I've corrected them now, making my messy logbook even messier.

I can encourage anyone reading the blog to download Roger's file and give it a try. It provides some useful summary tables by type, periods etc. Most of the alternative electronic logbooks cost bucks! I will probably password-protect it and upload it to Google docs.

Another positive side of going through my old books was it revived nice memories of past flights.    

Monday, June 6, 2011

Wave over New Zealand

7 June 2011

I travelled to Christchurch New Zealand last week for work related to reconstruction of their transport system after the February 2011 earthquake. I was heading out to the airport early on the morning of my flight back, when I noticed obvious lenticular clouds over the city.

I got my Blackberry out when I was on the plane at the gate and took a few photos, but they didn’t come out very well. However, I got some better shots from the air, as we crossed the alps.

While the phone-camera isn’t the best, the photos are good enough to show the characteristic curved tops of the lennies and to show some stacking of the clouds. Pretty neat.

Being a Saturday, I expected to see some wave flights on the Online Contest (OLC), but there appears to be no flights in NZ that weekend (there was a fair bit of other cloud about, so that may have shut things down).

Sunday, May 22, 2011


Friday 20 May 2011

Finally back in the air after a 7 month break. Rusty, so had two check flights - one in the ASK-21 and a flight to do spins in the DG-1000 - followed by two short flights in the K21s - basically 'sled-rides', as there was no lift about.

It's autumn, so lots of bushfire hazard reduction burning (burn-offs as we call them) around Camden, and a lack of winds along with a low inversion combined to make it increasingly hazy, with really poor visibility.

Fridays are relatively quiet, but today there was a recently solo pilot bringing two relatives with him for air experience flights, as well as a regular trainee pilot and a club member who had recently got his aerobatic endorsement and wanted to fly a two-seater to take some footage with a new GoPro HD camera. So, busy.

We got out the two K21s and the DG-1000 and no single seaters. Interesting to see all the nice new glass two-seaters on the field - we do have a nice modern training fleet now.

I got an early check flight, followed almost immediately after an end change by a second check flight with spins in the DG. I've only flown the DG once before, at the Cootamundra camp and it was the last flight of the day and a rush. I remember running the length of the field to get my gear and then running back to take the flight, so feeling tored and flustered. I didn't fly well, the plane felt enormous and so this time I felt a bit intimidated by the DG.

My take-off wasn't so good - I applied forward pressure to get the tail wheel off the deck, but apparently the DG only requires holding in tail down position and it flies off nicely. I also struggled a bit with over controlling in the tow before the instructor, Eddie, showed me it can be flown hands off in the tow. It took a while, but as I flew, I became a bit fond of the DG. Did several stalls, spins and a loop and then came down. There was a tiny thermal we came across, but it must have been pencil thick because no mater how we turned or when, we always ended up in sink. I ended up doing a very nice two-point landing though. I figure at some point soon I will need to fly solo in the DG and the K-13 before I can move up to the Junior single-seater (club rules - 10 solo flights, including one in each of the two-seaters). The K-13 I am comfortable with, but the DG's gear needs a powerful arm - I might have to just leave the gear down for a quick circuit...

After this the instructor went off for some instructional flights without signing me off for my check solo (he intended for me to fly, but hadn't filled in the check form), so I ended up sitting on the ground until he came back and could sign me off. By the time I got in the air in the K21 the haze had become quite bad. There was no wind to clear it and in addition, no lift to speak of. So, from a 3,000 foot launch I managed a 28 minute flight including a frustrating 10 minutes trying to centre a small thermal downwind of the treatment plant. Good circuit and landing. I can consistently touch down just after the first cones and pull up before the second set of cones (160m).

After I got back, I lined up for another quick flight, which turned out to be the last launch of the day. Up to 2,000, no lift at all and back down after 13 minutes. I had a bit of a scare up there. I had tracked out to Narellan to see if I could scare up some lift over some construction sites and then couldn't see the field! It was so hazy that i had a lot of difficulty, even from less than 2,000 feet seeing landmarks. For a few seconds I thought I might end up having my first land-out, but then caught sight of the strip and made a beeline for it in time to join the circuit.

I had taken my little FlywithCE logger with me and it worked fine for the first flight, but I must have bumped the button when I was strapping in for the second flight, because there was only one record. Luckily, I had also brought along my Galaxy Tab, which I had loaded with an app called Gaggle (I also have XCSoar on it, but haven't set it up yet). Gaggle logged both flights and I was able to export .kml files for my flights.

This reminds me, i should do an entry on the gadgets I'm using.

So, these flights have taken me out of the 'check solo' stage, onto 'daily checks'. Four more solo landings and I can potentially be checked out for the Junior! That's my current short-term goal - to get into a single-seater. The next is to get my C certificate!

Wednesday, May 18, 2011

Review: Sailplane Grand Prix in the Andes DVD

I bought this from Cumulus Soaring in the US, along with some other gliding films, and only recently got a chance to really sit down with it.

In a nutshell, the DVD provides some breathtakingly beautiful and expertly filmed footage from the 2010 Grand Prix, but was a bit of a disappointment to me because it didn’t provide a record of the Grand Prix, in terms of results, daily competition footage etc.

I own the Gladiators of the Sky DVD from 2006 and the subsequent 2007 NZ Grand Prix DVD. Both provide Tour de France style narrated coverage of the GP event, day by day, combining video footage from chase aircraft and computer visualised telemetry to follow the races. It’s a great format, because it gets across both the drama of the competition and the changing fortunes of the national competitors, while also revelling in the beauty of sailplanes in a mountain environment.

The Sailplane Grand Prix in the Andes DVD (also available in Blu-ray) seems to be aimed more at making a case for the grand prix events as a spectator sport worthy of greater exposure, suitable for high-end sponsorship (there’s a lot of sponsor and product focus on the aircraft and through the DVD) and with impeccable green credentials.

Some of these objectives are clearly worthy – for example the filming, the amazing settings, the beauty of the aircraft, and the sophistication of glider tracking and visualisation technology mean that, properly promoted, soaring grand prix could be a successful TV sport. Greater public exposure and awareness can also result in greater involvement of premium sponsors (which is bound to be good for the sport) and one of the DVD items shows possible future full-colour gliders with all-over paintjobs.

However, the sustainable, green arguments for the sport, which the two introductory films push heavily, seem contrived and clunky. While certainly the fact that gliders soar on sun-generated energy lines without engines is a green-friendly idea (and one of the things that constantly amazes me when I fly), I think the conceit pushed in the DVD that grand prix soaring is perfectly matched to a sustainable global future would not survive even a cursory consideration of the impacts of towplanes dragging all the competitors into the sky, the transport from across the globe of gliders and crews, and the fuel use of the various chase planes and helos.

So, what are we left with – well, the DVD has 6 self-contained chapters. The first two are a longer and shorter edited version of a promotional film of the Grand Prix, which gives a professionally-narrated and produced summary of what sailplane Grand Prix is, some of the competitors, and some beautiful footage of gliders flying in the Andes, as well as some great footage of Condors. Some of the footage is of competition flying, but some seems to be either from practice days or specially flown filming trips, because on a few occasions you can clearly see one glider (I think Kawa’s Diana) popping its brakes to stay in position.

The footage of the Andes flying is breathtaking and the camera people have done an incredible job. It is romantic, dramatic and hypnotic and it would be great to show non-flying friends who want to see what gliding is about, but it also looks like it is designed to show some big-time decision makers in a boardroom somewhere. One thing I noticed that helped me come to this conclusion – in addition to the shots of sponsor artwork and pilots drinking from cans so the brand is clearly visible, there’s not a bucket hat in sight! Just bare-headed glamorous pilots like Kawa and Rocca (and Uli Schwenk – not so glamorous, but a great pilot)!

Next up is a piece called Dinamica – One Day in Sailplane Grand Prix, which provides a mix of in-flight footage, computer graphics and interviews, covering one of the competition days (day 6 I think) won by local hero Carlos Rocca. This is the sort of thing I wanted to see more of – I wanted something like this for each day. The graphics show how the lead changes, how pilots make good and bad decisions getting to turnpoints, while racing footage shows ridge-running, thermalling and close flying. Beautiful!

Aquarium is more than 30 minutes of sailplane footage with an electronic style soundtrack and no narration. Perfect for a gliding club to put on at a public display day, it is hypnotic and beautiful, mixing footage of mountain flying with flying over Santiago city, gliders dumping water ballast and flying with Condors.

Kawa in the cockpit has air to air and from the cockpit footage – lovely again; and finally there is a track dedicated to a speeded up computer animation of a day’s race, to show what the tracking system can do.

So, overall it’s a lovely DVD, though for me, it doesn’t satisfy my desire to have a record of the whole Grand Prix, where I can follow each day’s racing (since I couldn’t subscribe to the live coverage).

I had some issues with the subtitles. For a while I couldn’t find how to not have any subtitles on-screen (they really ruined the look). After Cumulus Soaring’s Paul Remde confirmed it was possible to switch off the subtitles, I finally found the sweet setting on my DVD player. Since subtitles were hard-coded to Automatic, I had first to change the language of the disc to “Original” and then the subtitles didn’t display.

Sunday, May 15, 2011

Nick’s AEF

Sunday 8 May 2011

A workmate, Nick, came out to the club last Sunday on my duty pilot stint, to have an air experience flight. He took some nice photos (some of which I wish I’d taken myself).

ASK-21 SXQ landing


Steep turn